‘The End’ wasn’t made to create sympathy for the ultra-rich anyway, but its direction is quite muddled and meaninglessly repetitive. It’s richly detached to a fault.

‘Lost Sabungeros’ suggests through interviews with insider whistleblowers that the criminal mastermind behind the violent disappearances within the e-sabong industry is the notorious gambling tycoon, Charlie “Atong” Ang.

‘When Fall is Coming’ only finds itself to be treated with some care, ending up another vapid attempt in one of Ozon's many to demystify the stable French countryside.

‘Moneyslapper’s’ brand of violence gets disgusting without ever firing a bullet. It is methodical, yet reckless; straightforward, yet deep.

'Twilight of the Warriors: Walled In' captivates with its unabashed embrace of the fantastical myth-making and whimsical absurdities of a wuxia set in contemporary times.

 ‘An Errand’ is not constructed kindly. It chooses to luxuriate in a loose and unbounded form with polarizing results... It is the type of film more appropriately found in the MUBI catalog, because it isn't the friendliest for most moviegoers.