‘Everything About My Wife’ tackles how couples begin to hate the very same things they initially liked about each other in their meet-cute, bringing a refreshing angle to the Filipino rom-com.

Beneath the slight eccentric clunkiness of ‘In The Lost Lands’ lies a very stylish and charmingly dorky slice of fantasy that believes in its own scrappy, wondrous illusions, and is all the better for it.

Watching JP Habac’s ‘Ex-Ex Lovers’ in the cinema feels like reliving a childhood memory — almost as if I was watching the same Marvin and Jolina on my grandparents’ sofa from years past.

Mikhail Red’s latest horror film ‘Lilim’ is a slick and chilling crowdpleaser that plays it safe — to its detriment.

Sosyal Climbers does what it sets out to do: deliver a fun, marketable rom-com that banks on chemistry, comedy, and the ever-relatable Filipino dream of financial stability.

'The Brutalist' explores an immigrant architect’s desire for legacy in the United States of America.

‘Mickey 17,’ Bong Joon-ho’s return is a darkly funny, yet vulnerable trip that explores our relationship with our sense of self and others, anchored by a stellar, career best performance from Robert Pattinson.

‘Broken Rage’ carries the weight of an artist confronting his own legacy, grappling with the realization that, despite a lifetime of reinvention, perception is, more often than not, unshakable.

'Matched' uses the perils of online dating to create an amusing, pulpy thriller, determined to unleash its twisted, somewhat obvious story, logic and sense be damned.

‘A Complete Unknown’ takes us on a bumpy rollercoaster ride of legendary folk singer-songwriter Bob Dylan. It may appeal to Dylan aficionados but can be unintriguing to the general public.

As the MCU revs its engine on the road to multiversal wars and doomsday scenarios, ‘Captain America: Brave New World’ suffers from the same old formula and a rough landing that fails to push the franchise forward.

In ‘Nosferatu,’ Robert Eggers places the heroine at the forefront to confidently deliver a modern spin on the iconic vampire tale that plumbs more into the sensually driven psyche than it indulges in bloodlust.

The sacred and profane collide in the hilarious dark comedy ‘Sampung Utos Kay Josh,’ a typical Christian tale about faith and kindness with a refreshingly juvenile and vulgar sense of humor

Far from what is usually expected from exorcism movies, ‘Dark Nuns’ focuses more on substance than cheap jump scares and gore, but still leaves horror fans’ expectations unfulfilled.

Although the material may come across as shallow at times, ‘Cells at Work!’s’ campy and outrageous depiction of scientific concepts like red and white blood cells easily complements it.

If Steven Soderbergh's latest experiment in ‘Presence’ can be summarized into one statement, it's this: what if Gaspar Noe’s ‘Enter the Void’ is more like David Lowery’s ‘A Ghost Story’?

Companion’s sturdy structuring, biting humor, and tight pace of escalating tension allows it to bolster its thematic sentiments through an intriguing premise. It’s acidic fun with a twisted, beating heart.

After over half a decade since its predecessor, ’Den of Thieves 2: Pantera’ serves a second round of patient, unraveling thrills that puts in a bit more thought in its modest ambition as straightforward genre pastiche.

‘Wallace & Gromit: Vengeance Most Fowl’ gives its own perspective into the ongoing discussion on humans coexisting with AI, but some creative choices might cause audiences to interpret it the wrong way.

'Mary' could have been a revolutionary and timely coming-of-age, but its politics, in front and behind the cameras, sets it up for failure.