‘Moneyslapper’s’ brand of violence gets disgusting without ever firing a bullet. It is methodical, yet reckless; straightforward, yet deep.

In satiating my curiosity about Bor Ocampo through ‘Dayang Asu,’ I’ve found a filmmaker who playfully mixes social realities with a comical and gruesome take. It’s the type of film that validates any excitement for ‘Moneyslapper.’