Phileo Victor Ko
Is (for legal reasons) a writer who loves talking about pop culture, constantly sleepy, and still working on a good rule-of-3 punchline.
Firmly planted in the lives of three Mumbai nurses in the lower-income part of the city, ‘All We Imagine as Light’ gently claims its place as one of the century’s most romantic films asserting that third world romances are worthy of the big screen.
‘Conclave’ is an incoming classic that compels audiences to still believe in the power of well-acted, dialogue-driven movies.
‘Beetlejuice Beetlejuice’ breezes through the usual tricks and charms of its talents. Nevertheless, seeing Tim Burton corral some career-rejuvenating fun in the age of belated sequel-itis still has its rewards.