ALL FILM REVIEWS
‘Megalopolis’ REVIEW: Not enough time to hold, even less to reclaim
After more than 40 years of rewrites, Francis Ford Coppola's psychedelic and captivating passion project is finally a reality. But at what cost must one keep reaching for the sun, when even the Godfather can't escape the pull of the ground?
‘Bona’ REVIEW: Greater than a Catharsis, More than a Woman
Through the newly restored ‘Bona,’ Lino Brocka renders water so sociopolitically volatile and cinematically iconic that even after four decades, its impact is still felt on our skin.
‘I Saw The TV Glow' REVIEW: More Petrifying Than a Burial
Transmuting radical experiences into something so horrific but tenderly empowering, Jane Schoenbrun's second feature asserts why they are one of the most uncompromising and original directors working today.
‘Inside Out 2’ REVIEW: Forgetting a Second to Breathe
‘Inside Out 2’s’ onslaught of jokes is more engaging than the story that prescribes the emotion for you, leaving you no room to feel nor breathe.
‘Sleepless' REVIEW: Unapologetically beautiful
'Sleepless’ boldly defies the conventional Filipino rom-com formula, offering an intimate look at an enduring love not confined in romance...and opportunistic profit machines.
‘The Zone of Interest’ REVIEW: Unseen but intensely felt, deafening but endlessly resonant
'The Zone of Interest' is an unprecedented triumph that's devoid of gruesome imagery but leaves you deeply scarred enough to internalize evil rather than merely look and listen.
‘The Boy and the Heron’ REVIEW: Miyazaki at his most contemplative and sublime
After 60 years of raising the standards for animation, Studio Ghibli auteur Hayao Miyazaki continues to up the ante with his visionary and expansive storytelling. As an iconic film maestro, he not only creates yet another mesmerizing world on screen but also confronts the profound legacy he has woven throughout his illustrious career.