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ALL FILM REVIEWS
‘Road House’ REVIEW: Doesn’t pull many punches
‘Road House’ is too ecstatic to show us the intense high-octane action set pieces that it forgets to let the characters grow.
‘White Bird: A Wonder Story’ REVIEW: A tale of kindness and courage amidst the holocaust
For a more Filipino semblance, White Bird: A Wonder Story captures this grandmother-grandchild dynamic of telling wondrous stories with lessons in the vein of “Mga Kuwento ni Lola Basyang.” Apart from the film’s setting, there isn’t that much to go further deep into things, as the film exists as an idealistic reminder of kindness conquering all.
‘Godzilla x Kong: The New Empire’ REVIEW: What Is A Man To A God And A King?
‘Godzilla x Kong: The New Empire’ knows exactly what it wants to be: a maximalist monster affair that puts its biggest stars (literally) front and center of a vibrant and epic kaijū fisticuffs.
‘Iti Mapukpukaw’ REVIEW: A local animated masterpiece arrives on Netflix
Iti Mapukpukaw finds new life on Netflix, breaking through art dimensions and film conventions with its animated exploration of trauma and losing one’s self.
‘A Glimpse of Forever’ REVIEW: Failing in Sensitivity
A Glimpse of Forever is problematic not because it abandons romance to convey a message about men’s mental health, but because of how it approaches its subject matter with so much insensitivity and ignorance.
‘The Zone of Interest’ REVIEW: Unseen but intensely felt, deafening but endlessly resonant
'The Zone of Interest' is an unprecedented triumph that's devoid of gruesome imagery but leaves you deeply scarred enough to internalize evil rather than merely look and listen.
'Dune: Part Two' REVIEW: Unearth this sci-fi spectacle in ambitious cinematic sequel
Dune: Part Two exemplifies what a modern blockbuster should be, adding a monumental addition to the reason why films are best experienced in cinemas.
‘The Holdovers’ REVIEW: A Heartwarming But Mildly Underwhelming Dramedy
While ‘The Holdovers’ may have its shortcomings in the character study of its three lonesome protagonists, it finds strength in its quick-witted, incisive, and endlessly quotable script that strikes the perfect chord between humor and heart.
'Ikaw Pa Rin Ang Pipiliin Ko' REVIEW: This is a problem
‘Ikaw Pa Rin Ang Pipiliin Ko’ tells the story of two lovers with a shared love for music but neither does their love for music nor their love for each other feel real. It gives us an unethical romance with an undeniable power imbalance between the couple.
'I Am Not Big Bird' REVIEW: Enrique Gil soars high and mighty with cinematic comeback
I Am Not Big Bird is a comedic throwback to the late 90s and early 2000s aesthetic, with notable remnants such as VHS tapes and digicams, as well as an ode to outlandish action films from decades past, adding fuel to the parody fire.
'Tokyo Story' REVIEW: Formally Masterful, Profoundly Emotional
Yasujiro Ozu invites audiences not to be intimidated by this storied classic, rewarding them with observations on family and the inevitability of time that still resonate today.
'Lisa Frankenstein' REVIEW: No amount of Pinoy pride is enough to celebrate this great performance by Liza Soberano
‘Lisa Frankenstein’ is an engrossing camp that leaves us chuckling for almost 2 hours. It's arguably the best we’ve ever seen from Liza Soberano because she carried the film, exceeding her Hollywood co-stars. Now showing in theaters.
'And Yet, You Are So Sweet' REVIEW: A failed attempt at shoujo stories
And Yet, You Are So Sweet is a cliché romance that shows us what made shoujo stories decline in the first place, not being able to adapt to present times and its more progressive audience. Watch the other JFF films instead.
'We Made A Beautiful Bouquet' REVIEW: A blossoming romance that blooms at the right time
We Made a Beautiful Bouquet is anchored by the meet-cute premise of two strangers trying to catch the last train home to Tokyo. It’s a love story that knows its audience well and treats them with care and respect.
'The First Slam Dunk' REVIEW: An Exhilarating Hoop Spectacle
The First Slam Dunk stands as a praiseworthy directorial debut from Takehiko Inoue that captures what makes basketball so thrilling to watch while weaving a deeply absorbing narrative about overcoming adversity in order to get that sweet victory.
'Angry Son' REVIEW: Intimacy strewn all over the place
So much of Angry Son is defined by its breadth and sincerity, and yet, the film falters for it.
'Mean Girls (2024)’ REVIEW: More is more and meaner
Mean Girls is not just a mere copy or another adaptation to avoid; it takes everything from the original and amplifies it all into a louder and more “fetch” movie with catchy tunes to boot.
‘GG (Good Game)’ REVIEW: A visually exciting, albeit buggy, local esports film
As the first esports film in the Philippines, GG (Good Game) exposes the often misunderstood and belittled burgeoning industry with visual flair, adrenaline rush, and typical melodrama.
‘The Boy and the Heron’ REVIEW: Miyazaki at his most contemplative and sublime
After 60 years of raising the standards for animation, Studio Ghibli auteur Hayao Miyazaki continues to up the ante with his visionary and expansive storytelling. As an iconic film maestro, he not only creates yet another mesmerizing world on screen but also confronts the profound legacy he has woven throughout his illustrious career.
'Firefly' REVIEW: Made with Care
What Firefly speaks well to its audience is a form of sincere storytelling that fully evokes the ageless feeling of adventure.