ALL FILM & TV FEATURES
‘Chungking Express’ or Other Ways of Seeing Dreams
If Wong Kar-wai’s films collectively share a grammar then ‘Chungking Express’ may be where that language speaks most freely. Like most of his titles, its logic is not governed by realism but by emotional proximity: pillow cases get renewed without explanation, strangers enter private spaces, and affection is expressed through invisible, almost imperceptible acts. In WKW's universe, longing rearranges reality just enough to make narrow spaces for connection.
Where Love and Intimacy Live Between Languages in ‘Gitling’
At its core, Gitling interrogates how intimacy is shaped through language; not only the words people speak, but the effort it takes to meet someone across differences.
Riding the Wrong Train to the Right Station: How ‘The Lunchbox’ Redefines Love Beyond Permanence
In ‘The Lunchbox’, a misdelivered meal becomes a story about love that transforms without lasting. Love and meaning don’t need permanence to matter because sometimes the “wrong train” still brings you where you need to go.
The One with Why We Can’t Stop Watching Sitcoms
I got to visit the FRIENDS Experience: The One in Manila recently. The exhibit was fun despite the long lines, but it also got me thinking about other people's safety blankets: sitcoms.
This Land is Mined: A Film Program
Indigenous People (IP) communities have long found themselves at the epicenter of development aggression and armed conflict. This virtual program aims to shed light on the ongoing displacement of IP communities and their identities.
In the Green House Cinema, Cinephilia Blooms Amid the City’s Noise
Tucked behind a milky-white picket fence in Anda, Rizal Street, one can find the Green House Cinema, a home-turned-cinema that has become a gathering place for filmmakers and storytellers in Davao City. What began as a small experiment has become a blooming creative ecosystem.
The Truth is Out There (And So is My Burnout): How Watching ‘The X-Files’ Became My Solace
It was the summer of 2024 when I discovered ‘The X-Files’ while I (dreadfully) worked from home. While wrestling with work anxieties, watching the fan-favorite sci-fi series became my solace.
Reimaginations and Contradictions of Imagined Memories: A Film Program
The virtual film program ‘Reimaginations and Contradictions of Imagined Memories’ aims to showcase how short films can serve as forms of imagined memory from the youth. Reimaginations of the past that show the same historical atrocities and even ideals of the Marcosian myths that were perpetuated during those times, to the contradictions of the contemporary present that kept challenging the masses themselves, to the current social realities as an effect of these Marcosian myths.
The Silences of ‘Heneral Luna’
Ten years later ‘Heneral Luna’s’ call for a strongman to unite the country has aged poorly. What’s left is the film’s ahistorical mythmaking, a narrative that reinforces the idea that Philippine history is reducible to Tagalog history.
When Third Space Becomes an Escape in ‘At Least We Had This Moment’
Society traps us in an endless loop of home and work. For two lost souls in ‘At Least We Had This Moment,’ finding a third space is resistance.
‘Agapito’ and a Duckpin Alley’s Journey From Bulacan to Beyond
From its humble beginnings in Bulacan to its journey to Cannes and now Toronto, ‘Agapito’ stands not necessarily as a banner for all Filipino stories, but as one story tied to a brother, a father, and a community that keeps a humble duckpin alley alive.
What’s After Drag? Precious Paula Nicole’s Newfound Beat in ‘Lip Sync Assassin’
Three years after their monumental ‘Drag Race Philippines Season 1’ win, Precious Paula Nicole struts down the bedazzled path of drag excellence to full-fledged film royalty in the killer (quite literally) flick Lip Sync Assassin.
Unsa Diay na ang Shoot Out?: Cinema on Adrenaline at the 15th Binisaya Film Festival
The 15th BINISAYA Film Festival had its gun loaded with fresh, deadly, and even sinful gimmicks as the Shoot Out category rolled its most daring reiteration yet.
For the Love of Mixed Media: A Film Program
The virtual film program ‘For the Love of Mixed Media’ explores how different materials and techniques are applied to contemporary Filipino narratives.
Up, Up and Away! (Again): The Enduring Power of Superman
As he makes his long-awaited comeback on the big screen this year, one has to wonder: Why has Superman endured for so long and what does he mean to us today?
From ‘Moral’ to ‘Sunshine’: A Love Letter to the Filipino Woman
Philippine cinema doesn’t often touch on taboo subjects in the mainstream, but Marilou Diaz-Abaya’s ‘Moral’ and Antoinette Jadaone’s ‘Sunshine’, released four decades apart, are great exceptions. At first glance, they’re just films about unplanned pregnancies, complicated relationships, and the choices that no one wants to talk about in public. But a closer look will reveal that they’re not made to shock—they’re made to care.
The Sights and Sounds of Manila: Part One
Though Manila may be an underrated city in global cinema, there are many unique stories yet to be told. In collaboration with Renacimento Manila, SINEGANG.ph has curated a watchlist featuring Manila in all its historical and cultural glory.
Live From My Laptop!
If I could consider laughing a hobby, then ‘Saturday Night Live’ would be my greatest kryptonite. My love for the live sketch comedy show has persisted for nearly a decade, and I don’t think it’s stopping anytime soon.
‘All the Things I Leave You’ and the Stories We Want Pinoy BLs to Tell
Jade Castro’s ‘All the Things I Leave You (Patawid)’ blends the ingredients of the BL genre with an inviting curiosity and reflects how far beyond the sandbox can these stories explore.
Bold-hearted young filmmakers make waves in Sinepiyu 17
Sinepiyu 17, the premier film festival of Far Eastern University, showcased the bold storytelling hearts of this young generation’s up-and-coming filmmakers.